Guillaume Cerutti
Marion Maneker March 23, 2025
The auction house’s outgoing C.E.O. sits down to talk about his new role as head of François Pinault’s 10,000-work art collection, and how he’ll integrate one man’s vision into the luxury commercial interests of Groupe Artemis.
TEFAF
Julie Brener Davich March 21, 2025
The Netherlands’ annual European Fine Art Foundation fair has been plagued by brazen jewel heists, leadership churn, and its distinction as an early Covid superspreader. None of that makes it any less remarkable or irreplaceable.
Anne Kraybill
The Art Bridges Foundation’s C.E.O. talks matchmaking for art institutions, particularly at a time when 95 percent of the country’s works are sitting in storage. How can (well-capitalized) regional museums play a crucial role?
David Zwirner, Léon Spilliaert
Marion Maneker March 18, 2025
Two shows offer a vision of accelerating art market trends through the works of Léon Spilliaert, and the chummy Bauhaus trio of Anni and Josef Albers and Paul Klee.


Asian Art Week 2025
Marion Maneker March 16, 2025
The market for Indian art is booming again. Plus, samurai swords, great waves, and porcelain.
Doreen Remen, Yvonne Force Villareal, Casey Fremont Crowe, Kathleen Lynch
Julie Brener Davich March 14, 2025
Inside New York’s grandest example of midcentury modernism, as Art Production Fund celebrated its 25th anniversary with a semi-risqué slumber party that coaxed the art and fashion worlds to get into bed together.
Francis Bacon Art Auction
A lack of high-value lots, and some misplaced optimism, led to a 56 percent sales plunge since 2022, but a solid hammer ratio and strong sell-through rate point to underlying health.
William Eggleston
Marion Maneker March 11, 2025
An auction at Phillips offers a rare collection of William Eggleston prints, made with an arcane and all-but-extinct process to amp up the vividness of everyday life.


Brynn Wallner
Julie Brener Davich March 9, 2025
The women’s watch journalist behind Dimepiece is changing the stuffy collecting community—what women wear and how they wear it—while helping to reshape the industry, itself.
Julie Brener Davich March 7, 2025
When two ascendent artists showed up on the front page of the Times as examples of a young art market collapse, they decided to rally together, offering their generation a little more agency in a ruthless, unforgiving system.
Christies auctioneer
Buyers remain wary and sellers are greedy, but the latest New York sales hint at a new reality: We’re still far away from the 2022 boom times, sure, but palmy days lie ahead.
Guardi painting, Sotheby's
Julie Brener Davich March 4, 2025
Sotheby’s has set its most valuable Old Masters auction ever for May: the Saunders collection, the product of a four-year buying spree fueled by Wall Street money, which could fetch more than $80 million.


Sotheby's Yoshitomo Nara
Marion Maneker March 2, 2025
The U.K.’s auction season previews what’s to come across the pond and for the rest of the year. After perusing the lots, there are some green shoots, yes, but also some notes of caution.
Sophie Neuendorf, Hans Neuendorf, Jacob Pabst
Marion Maneker February 28, 2025
Artnet’s 14-hour, Jerry Springer-esque annual general meeting left the company more gutted than ever, and neutered the ruling Neuendorf clan. The only certainty for the beleaguered company is that this shitshow will play on.
Guillaume Cerutti
The outgoing C.E.O. and new chairman of the board at Christie’s talks teamwork, profits, and, of course, the major reorg he undertook during his eight years at the helm.