bob iger
Matthew Belloni February 16, 2024
An exclusive survey reveals that Americans (and especially Republicans) are twice as likely to think of Disney unfavorably as other media companies, even if that doesn’t necessarily mean they won’t see Pixar, Star Wars, or other Mouse House movies in theaters.
bob iger
Julia Alexander February 14, 2024
It’s been a week since ESPN, Fox, and Warner Bros. Discovery announced their enigmatic three-headed sports skinny bundle. The industry is overwhelmed with questions, but one thing seems certain: this thing isn’t here to stay.
gina carano
Eriq Gardner February 12, 2024
The wrongful termination suit, bankrolled by Elon Musk, over the actress’ firing from ‘The Mandalorian,’ is being portrayed as a battle over free speech. But the real stakes are much more complex—and Carano may be a proxy for political interests who view her as a different kind of star.
mark cuban
Matthew Belloni & John Ourand February 12, 2024
After spending the better part of a week in Vegas for the Super Bowl, here’s what everyone in the sports-entertainment-media industrial complex is obsessing over: the next wave of rights deals, a super-streamer, Amazon-Diamond, what Endeavor is divesting, and if the NFL’s biggest showcase will return to Las Vegas (yes!).


michel b. jordan ryan coogler
Matthew Belloni February 9, 2024
Is the ‘Black Panther’ director’s new deal with Warner Bros.—wherein the copyright for his next project, with Michael B. Jordan, will revert back to him after 25 years—part of a new ownership trend in Hollywood? Or did Coolger just pitch the right executives at the right time?
n.c.i.s.
Julia Alexander February 7, 2024
Sure, the streaming home of the Super Bowl, now being circled by numerous potential acquirers, has reined in its ambitions—decreasing spending and licensing its best content to its competitors. But the real challenge for Par+ comes down to its technology.
kevin spacey
Eriq Gardner February 6, 2024
The ‘House of Cards’ star has quietly reached an extraordinary settlement that would wipe his debt clean if he testifies on behalf of MRC, the producer of the hit Netflix series, in its $150 million insurance claim.
Emma Stone in 'Poor Things.'
Scott Mendelson February 5, 2024
Remember when well-reviewed awards contenders big and small gave a sizable boost to the box office during the early months of a new year? That economic dynamic is the latest vestige of a foregone Hollywood.


Kevin Coster and Kelly Reilly in Yellowstone.
Matthew Belloni February 5, 2024
Kevin Costner isn’t the only star in a financial standoff over TV’s No. 1 show. Now, Cole Hauser, Kelly Reilly, and Luke Grimes are looking for increased paydays in advance of the new spinoff, and Paramount has set a take-it-or-leave-it deadline.
Byron Allen watches Smokey Robinson perform as he was honored with the 2023 UCLA Neurosurgery Visionary Award at The Beverly Hilton on October 11, 2023, in Beverly Hills, California.
Matthew Belloni & Eriq Gardner February 2, 2024
Allen’s lofty $14.3 billion overture for Paramount Global—and his mysterious financial backing—isn’t being taken seriously in Hollywood. But he may have sway in Washington, where the F.C.C. could make life difficult for Byron’s rivals.
Swift is reportedly contemplating legal action over those deepfakes, but her options are limited.
Eriq Gardner January 29, 2024
The White House is calling for new laws to prevent the scourge of A.I. pornography. But poking holes in Section 230, the legal heat shield surrounding Silicon Valley, may be harder than it seems. And Hollywood may want a word, too…
Joe Ravitch attend The Sylvia Center's Tenth Anniversary Art of Cooking Gala on October 26, 2017, in New York City.
Matthew Belloni January 29, 2024
A candid conversation with Raine Group’s Joe Ravitch, one of the sharpest and most outspoken bankers in the media/sports sectors, about the deal climate, global fears, and the future of Paramount and Lionsgate.


Adam Driver in 'Ferrari.'
Scott Mendelson January 29, 2024
Why is the industry surprised when expensive awards bait films, designed to impress critics more than audiences, fail at the box office? The latest Mann disappointment is an example of the chasm between film executives and filmgoers.
Jon Stewart has changed. The media has changed. And somewhere along the way to Charlottesville and January 6th, political comedy started getting more serious.
Baratunde Thurston January 29, 2024
Jon Stewart returns to the Daily Show anchor chair as a citizen, not just a comedian, and at a time of crisis for the media he lampooned, for political comedy itself, and for the nation. No pressure!
A close Scott Stuber friend thinks he probably would have left Netflix early last year if not for the strikes—it wasn’t a great time to start a new thing.
Matthew Belloni January 26, 2024
A $5 billion WWE deal and the exit of film chief Scott Stuber mark an inflection in the streaming wars as Ted Sarandos consolidates the market—adding live sports, producing fewer original movies, and absorbing content from the rivals Netflix is leaving behind.