Dana Walden
Matthew Belloni January 9, 2026
StrikeWatch ’26, a bizarre Michael Jackson record, and the future of Disney’s Dana Walden (if she’s C.E.O. or not) in the second act of the town’s favorite prognostication of the year ahead.
a minecraft movie
Scott Mendelson January 7, 2026
With Hollywood’s annual output back to resembling its pre-pandemic levels, some clear trends emerged: Kids showed up, horror hit more often than it didn’t, and the superhero slump is real. How might it all apply to 2026 and beyond?
Ted Sarandos
Eriq Gardner January 6, 2026
If the streaming giant wins Warner Bros., the feds will almost certainly present their next hurdle. And the Trump Justice Department might ask some questions that Netflix would like to avoid.
Sydney Sweeney
Matthew Belloni January 6, 2026
The town’s favorite year-ahead forecast returns, with input from some of my best sources—plus a few celebrity Puck friends. The future of ‘Star Wars,’ Instagram Reels, ‘Rush Hour 4,’ and Sydney Sweeney foretold in the first of two parts…


Bryan Lourd caa
Eriq Gardner December 30, 2025
A look ahead at the most consequential media lawsuits and legal crises that will come to their conclusion in 2026.
Pam Abdy, Mike De Luca
Matthew Belloni December 30, 2025
In 2025, Mike De Luca and Pam Abdy went from dead executives walking to a six-month stretch of blockbusters and Oscar contenders that silenced the town and offered a middle finger to their boss, David Zaslav. In an era when I.P. has taken over Hollywood, and their studio has been sold to Netflix (or Paramount?), they decided to go out swinging…
sam altman
Matthew Belloni December 23, 2025
A year before the OpenAI C.E.O. gets the ‘Social Network’ movie treatment, the slop-ification of entertainment took a major leap in 2025 thanks to a copyright infringement hub called Sora 2 and Altman’s brazen courtship of Disney.
Oscars
Matthew Belloni December 19, 2025
The streamer’s bold bid to host the Academy Awards offers maximum reach for a show that was becoming minimally niche, but mixing prestige and base populism has its potentially problematic downsides.


Ted Sarandos
Kim Masters December 17, 2025
As the streamer’s winning bid to secure WBD faces regulatory scrutiny and a hostile offer from Paramount, Ted Sarandos insists that Netflix is committed to a standard theatrical window for Warner Bros. movies. Is it enough to earn Hollywood’s loyalty?
bob iger
Eriq Gardner December 16, 2025
A field guide to the A.I. cases and deals that will shape 2026, including Disney’s recent peace treaty, the Elon-Altman feud, the next round of labor negotiations, the whole ScarJo voice issue, and many more…
david zaslav
Matthew Belloni & William D. Cohan December 16, 2025
Battle lines have been drawn over David Zaslav’s Warner Bros. Discovery, and both Netflix and Paramount think they have the winning formula. Will the Ellisons get to $34 a share? Can Netflix counter? Is Larry really “backstopping” all the equity? Or is the game already rigged?
Alan Horn and Rob Reiner
Kim Masters December 16, 2025
The longtime exec paid tribute to Reiner, his onetime partner in Castle Rock Entertainment, and explained why the director dedicated their first movie together to his father.


Ted Sarandos, Greg Peters
Julia Alexander December 12, 2025
Prior to its $83 billion deal to acquire the studio and HBO Max, the streamer had never spent more than $700 million on an acquisition. But Netflix saw an opportunity to own, not license, a significant chunk of its content—and, perhaps more importantly, to block David Ellison from taking it away.
wicked cynthia erivo
Matthew Belloni December 12, 2025
Every year, awards contenders and pretenders have been mounting unbridled and financially unchecked press campaigns in the hopes of boosting their chances. A new data analysis reveals that they maybe shouldn’t have bothered.
Carl Rinsch
Eriq Gardner December 10, 2025
The incredible saga of Carl Rinsch, who bilked Netflix for millions that he spent on Dogecoin, a couple of Rolls-Royces, and a half-million-dollar mattress, has come to trial. Is Rinsch a “creative genius” who merely failed to deliver, or something more sinister?