Rodder Gallery
Marion Maneker May 8, 2026
As thousands of art tourists throng Manhattan for the planetary alignment of Frieze, TEFAF, and the Independent art fairs, endless gallery exhibitions are opening to capture their share of this river of capital. Herewith, a guided tour through some of the shows you won’t want to miss.
Jean-Michel Basquiat, Sotheby's
Despite the fraught and unpleasant geopolitical climate, the May sales are extremely top-heavy—with 22 lots estimated at $20 million-plus, nearly triple the May 2025 inventory. So, yes, the world is on fire, and the art market is really heating up, too.
S.I. Newhouse Jr.
Marion Maneker May 5, 2026
This week, the third tranche of art from Si Newhouse Jr. is being offered by Christie’s. The sale is a testament to both the Condé Nast owner’s limitless, keen-eyed collecting and Christie’s ability to stage it—and will inject nearly half a billion dollars into the art market while inspiring other collectors to open their wallets.
Eric Crosby
Marion Maneker May 3, 2026
A conversation with Eric Crosby, the director of Pittsburgh’s Carnegie Museum of Art, about the Carnegie International, meeting the political moment, and freeing artists from the financial pressure to produce.


Sothebys Abu Dhabi
George Nelson May 1, 2026
The auction house is now publicly touting previously unlisted, personalized luxury services. Sotheby’s will help you design a “push present” diamond ring for your wife or plan an ultra-exclusive holiday. You can even reupholster your car’s interior in ostrich leather.
Emma Webster
On the eve of her first real New York show, the L.A.-based artist explains her futuristic process, in which she uses 3D sculpting software, a V.R. headset, and the glitches of the natural world to create landscapes like no other.
Laila Gohar, Salone Milan
Ingrid Abramovitch April 28, 2026
This year, the unparalleled design fair Salone del Mobile was nearly overtaken by luxury brands, Martha Stewart, and anyone hoping to capitalize on its moneyed clientele. After all, if you’re willing to plunk down six figures for a sofa, what’s a handbag or two?
Melissa Chiu
Dan Duray April 26, 2026
Melissa Chiu, the new director of New York’s Guggenheim Museum, opens up about generating an audience beyond Instagram, raising money from all corners of the globe, and working with—not against—that famous building.


Lalanne Mirrors, Sotheby's
Marion Maneker April 24, 2026
The de Gunzburg sale on Wednesday sent shockwaves through the market—and included a major new record for Claude Lalanne.
Cara Zimmerman
Outsider art’s auction insider talks about integrating the category into contemporary sales, the importance of quality over backstory, and elevating self-taught artists.
Alexander Calder
Marion Maneker April 21, 2026
The new Alexander Calder retrospective at the Fondation Louis Vuitton reminds us that the artist was a true revolutionary before he became a mainstream staple. It also shows off the influence and market activity of the Calder Foundation, where the artist’s grandson is still calling the shots.
Meyers & Fügmann
Glenn Adamson April 19, 2026
Two young acolytes of the design legend Hella Jongerius operate a studio of their own, where they’re unleashing colorful gradients in textiles, ceramics, and beyond—and adding an organic element of chance to the predictability of industrial design.


Robin and Stephen Alesch
Marion Maneker April 17, 2026
Behind the design of the new Sotheby's restaurant, a collaboration with Robin and Stephen Alesch, which manages to achieve a dramatic setting within significant landmark constraints.
Jeff Yin
Marion Maneker April 17, 2026
The combination of Artsy and Artnet has placed Jeff Yin in charge of a combined art-market platform with new potential—an A.I.-powered auction database, merged gallery networks, and a slimmed-down newsroom. Can his vision survive contact with reality?
Clare McAndrew
Clare McAndrew, the author of Art Basel and UBS’s influential annual report, discusses calculating transactions in mixed years, the risk of surveying dealers to death, and how she compiles the art market’s most dependable and authoritative assessment.