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Greetings from Los Angeles and welcome back to In the Room. This World Series is already an
instant classic, and the energy here in L.A. is electric. Monoculture moments hit different when you’re at the epicenter. Game 5 starts at 5 p.m. L.F.G. Dodgers!
In tonight’s issue, I’ve got new developments out of CBS News, where Bari Weiss is floating ideas for big hires amid a new round of layoffs. Meanwhile, everyone wants to know who she plans to put in the anchor chair at Evening News—a myopic preoccupation, sure, but hey, it’s TV! Plus, a
first reveal of the hotly anticipated Olivia Nuzzi book.
🍸 On the latest edition of The Grill Room, YouTube C.E.O. Neal Mohan and creator Michelle Khare joined me at the Paley Summit to discuss YouTube’s sprawling empire: the burgeoning creator economy, the evolving toolkit at creators’ disposal, how the A.I. revolution is quietly reshaping the platform and the media industry writ large, and much more. Follow The
Grill Room on Apple, Spotify, or wherever you prefer to listen.
Mentioned in this issue: Olivia Nuzzi,
R.F.K. Jr., John Malone, Mike Fries, Robert Bennett, Charlie and Erika Kirk, Campbell Brown, Karine Jean-Pierre, Scott Van Pelt, Bari Weiss, John Dickerson, David Ellison, Tom Cibrowski, Bret Baier, Scott Jennings,
Anderson Cooper, Bryan Lourd, Norah O’Donnell, Tony Dokoupil, and more…
Let’s get started…
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- Nuzzi
fit to print: Olivia Nuzzi, the star political journalist who left New York last year amid revelations of her odd relationship with R.F.K. Jr., is ready to share the details of her forthcoming book. The title is American Canto, the cover is sparse, and the publisher, Simon & Schuster, describes it as “a mesmerizing firsthand
account of the warping of American reality over the past decade as Donald Trump has risen to dominance—from a participatory witness who got so far inside the distortion field that it swallowed her whole.”
The promotion hype continues: “American Canto is not a memoir, nor a tell-all, nor a book about the president,” the jacket copy stresses. “Instead, it is something more artful and more interesting—a character study of a nation undergoing radical transformation
in real time. It seeks to reframe our understanding of the history we are living through from the perspective of someone who observed it from within the kaleidoscope and now sees it clearly from the other side.”
It’s giving Didion vibes—according to S&S, Nuzzi wrote this from “self-imposed exile at the edge of the country,” a.k.a. Malibu. In reality, this project probably lands somewhere in the middle of the spectrum between confessional therapy and money job—it’s hard to
imagine that Nuzzi would have written this book if she were still working at New York, working on I.P. projects, or writing an election book with her ex-boyfriend Ryan Lizza. But, yeah… I’ll definitely read it. - Karine off a cliff: Speaking of books, former White House press secretary Karine Jean-Pierre’s catastrophic book tour reached a nadir this week in an off-the-rails interview with The New
Yorker’s Isaac Chotiner. You can read it in full here; suffice to say Chotiner didn’t have to work hard to highlight the inconsistencies in K.J.P.’s attack against Biden-weary Democrats. Not that any of that is surprising. Back in June, when K.J.P. announced her memoir, several White
House reporters sounded off on her incompetence and opportunism. “I don’t think it’s an exaggeration to say she was one of the worst press secretaries in the TV era,” one told me, while another described her as “easily the most incompetent and irrelevant White House press secretary ever.” I suppose that’s a hard deficit to overcome, but, man, this is not the
way to sell a book.
- Malone at last: Cable cowboy John Malone is stepping down as chair of Liberty Global and Liberty Media. Liberty Global C.E.O. Mike Fries will assume the chairmanship at that company, while Liberty Media vice chair Robert Bennett will assume duties there. “I’m not retiring from business, but I am looking to reduce travel and time commitments,” Malone told the FT. “This
transition will allow me to do so while ensuring continuity for the company and its stakeholders.”
- That’s Rich!: Media analyst Rich Greenfield believes Comcast should make an aggressive play for Warner Bros. Discovery—and appoint Charlie
Kirk’s widow, Erika Kirk, as editor-in-chief of a combined NBC News, MSNBC, and CNN in order to get the deal past Trump. Yes, it’s fucking crazy and won’t happen, but Rich is trying to make a point: Comcast needs to make a bold move on the M&A front, and Trump is a brazenly transactional president. The conventional wisdom that any Brian Roberts bid is dead on arrival neglects the degree to which this president can be swayed by
even symbolic gestures. Indeed, how else to explain Comcast’s decision to help fund Trump’s White House ballroom? My partner Bill Cohan has just published a brilliant analysis of Comcast’s industrial and strategic logic to aggressively pursue a bid.
- Campbell’s third act: Congrats to Meta and
CNN alum Campbell Brown on the launch of her new venture, Forum AI, which brings together experts to evaluate how L.L.M.s handle complex topics like politics, foreign affairs, and healthcare. Larry Summers, Kevin McCarthy, Fareed Zakaria, Niall Ferguson, Scott Jennings, and Salena Zito are among those lending their expertise to the effort, which has raised $3 million in seed
funding led by Lerer Hippeau.
- S.V.P. in the afternoon: ESPN’s Scott Van Pelt, whose Sunday NFL postgame edition of SportsCenter is appointment viewing in my home, is under consideration for the 5 p.m. weekday slot formerly occupied by Around the Horn, per
friend of Puck Andrew Marchand. Notably, ratings for the hour are already up double-digits since ATH was replaced with a generic SportsCenter broadcast. I only ask the powers that be at ESPN to keep S.V.P. in place on Sunday and Monday nights in the fall.
- And finally… Thanks to Awful Announcing’s Ben Koo for cataloguing the
technical nuances that make NBC Sports broadcasts seem brighter, sharper, and more colorful than that of their peers. I’d been wondering about that for, well, my whole life.
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Bari’s takeover of CBS News, and her direct line to David Ellison, is sending a clear
message: This is Bari’s CBS now, layoffs and all. The big question is what talent she’ll get to join her. Anderson Cooper will be her first test.
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This week, veteran CBS News anchor John Dickerson told his colleagues that he would be
leaving the network in mid-December, ending a 16-year journey through all its stations of the cross: political director, Sunday show moderator, morning show co-host, and, most recently, co-anchor of Evening News. The decision was officially Dickerson’s, but it was obviously induced by greater forces. When David Ellison took over Paramount back in August, I reported that they would overhaul the struggling nightly broadcast. Meanwhile, Paramount had been gearing up
for companywide layoffs, which began hitting the news division on Wednesday. Nearly 100 CBS News employees will be cut, while certain shows and bureaus will be shuttered.
In the not-so-distant past, Dickerson’s exit and some of the layoff targets—the Race and Culture unit is being gutted—might have symbolized an end of an era at the network. Instead, it felt like a belated coda to a transformation that had already taken place. Ellison’s decision to appoint Bari Weiss as
editor-in-chief and give her a direct reporting line into his office was a radically clarifying moment that seemed to preempt any internal defiance. This is Bari’s CBS News now, and the only choice is to get on board or go home.
Indeed, the real effects of Bari’s arrival have yet to be felt. The vast majority of this week’s layoffs were put in place by CBS News president Tom Cibrowski, I’m told, and in some cases were set in motion before she got there. Shuttering the
Johannesburg bureau was inarguably overdue, though it also entailed laying off foreign correspondent Deb Patta, who was one of the most prominent voices on Gaza. I’m told Bari will implement additional cuts to the newsroom in the near future in order to better align personnel with her own editorial vision and mandate, but the full extent of those cuts or their timing is not yet known.
Nevertheless, this week has already brought Bari’s priorities into sharper
relief. Amid the cuts, she has floated names of on-air talents she would like to hire and has been calling agents to gauge their availability. Some are plausible: I reported last week that she’d invited conservative CNN contributor and former Mitch McConnell acolyte Scott Jennings to the
office to discuss a position. Others are not: Bret Baier, the first name to emerge from Bari’s shortlist, is locked into a $14 million-a-year contract with Fox News through 2028. Unsurprisingly, schadenfreude-prone industry insiders saw this as evidence of her naivete. “Rookie beyond belief,” as one industry insider put it. Bari also hired Wall Street Journal deputy editor Charles Forelle this week before introducing him to Cibrowski,
which seemed to emphasize either her learning curve or the extent of her latitude—probably both.
Bari has floated the names of other Fox News and CNN talents, as well, I’m told. But the most intriguing name on her shortlist is someone already halfway inside the building. According to sources familiar, Bari has expressed interest in bringing Anderson Cooper to CBS News full-time, potentially for the Evening News role.
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Anderson currently splits his duties between CNN and CBS’s 60 Minutes, and any new arrangement would
require some complex choreography from his agent, Bryan Lourd. (Cooper’s contract with CNN runs through the end of 2026.) It’s also possible that Bari is already anticipating a future in which Ellison has added WBD to the Paramount portfolio, giving her oversight of a combined CBS News and CNN.
Internally, Bari’s interest in Anderson is likely to upset the existing two-way bake-off between Norah O’Donnell, the show’s former anchor, and Tony
Dokoupil, the CBS Mornings co-host. Of course, these preoccupations extend only as far as the square footage of the Black Rock Building on West 52nd. None of these folks, including Anderson, are likely to significantly move the needle for Evening News, though they might at least close the delta that Bari’s predecessors opened up when they decided to put Dickerson and Maurice DuBois in their co-anchor roles in the first place.
The Cooper
development, however, should be something of a harbinger of the Weiss era. In the imagination of some liberal minds, this whip-smart, gay, female, Jewish entrepreneur who happens to have worked at the Times and also lives on the Upper West Side has been construed into some Laura Loomer–Sarah Palin–Marine Le Pen horror show. In reality, that whole apocryphal rendering has itself become a caricature of liberal fever dreams. And
at a time when Wall Street analyst Rich Greenfield is suggesting that Charlie Kirk’s widow become future head of a putatively combined NBC News–CNN mashup, Weiss is considering offering her top anchor chair to… Anderson Cooper, for Christ’s sake.
Ever since Weiss took the job, wizened media observers have understood that she’d be forced to rationalize her disruptive instincts with the realities of corporate management. She earned her $150 million exit
from The Free Press by declaring her iconoclastic view at scale, but her plan at CBS News appears more focused on moving the news division a few degrees toward the center. Might this align with David Ellison’s personal politics? Sure. Does it mesh with her own? Obviously. But it’s also the white whale of a business opportunity that CNN, Yahoo, and others have been chasing for years—creating a news product for people who don’t identify their politics as a blood type, and who might actually prefer
a package about severe weather or local interest stories. Perhaps the most radical element of the Weiss tenure is that it will be filled with much of the boring bureaucratic monotony that actually consumes these jobs between lunches at Michael’s and The Grill.
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Puck fashion correspondent Lauren Sherman and a rotating cast of industry insiders take you deep behind the scenes of this
multitrillion-dollar biz, from creative director switcheroos to M&A drama, D.T.C. downfalls, and magazine mishaps. Fashion People is an extension of Line Sheet, Lauren’s private email for Puck, where she tracks what’s happening beyond the press releases in fashion, beauty, and media. New episodes publish every Tuesday and Friday.
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A professional-grade rundown on the business of sports from John Ourand, the industry’s preeminent journalist, covering the
leagues, players, agencies, media deals, and the egos fueling it all.
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