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Earlier this morning, I led a panel at UCLA’s 50th Entertainment Symposium that grappled with the many questions tormenting Hollywood in the agentic era: how studios can harness A.I. without upsetting the guilds, how to use generative film-production tools without sacrificing artistry, etcetera. Then, of course, there are the legal concerns that arise when you try to copyright I.P. largely generated by machines. These are big questions for the industry, and ones largely without clear answers.