Earlier this year, on the occasion of the publication of Graydon Carter’s much-celebrated codex vitae, When the Going Was Good, one of his former staff writers, Bryan Burrough, published his own, less rose-tinted reminiscence of Vanity Fair’s halcyon days in the pages of The Yale Review. “As I look back today,” he wrote, “Graydon’s Vanity Fair does feel like some lost world, a gold-encrusted Atlantis ultimately inundated by economic and technological tsunamis, its glories only now being picked over by media anthropologists.”
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