The New York Times, that venerable paragon of American journalism, can at times be a vain and self-aggrandizing institution. In fact, the infighting and backstabbing and generational feuding has birthed a veritable genre of nonfiction tomes, from Gay Talese’s The Kingdom and the Power to Times lifer Adam Nagourney’s recent opus, The Times. And within this genre lie all the various subgenres of exculpatory, eye-poking, vendetta journalism—the real fun stuff.
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