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Media Monday, Cathie Wood’s Hangover, Pellicano’s Return
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The Daily Courant
The Daily Courant

Media Monday, Cathie Wood’s Hangover, Pellicano’s Return

Welcome back to The Daily Courant, your afternoon guide to the latest news from Puck.

Today, Julia Alexander cogently unveils how Netflix’s latest M&A strategery may foreshadow a slimmer, “stickier” path out of subscriber fatigue and back into Wall Street’s good graces.

Plus, below the fold: Bill Cohan explains why the market correction won’t be over until Cathie Wood sings. Eriq Gardner reports on the return of Anthony Pellicano, the infamous secret-keeper to the stars. And Jon Kelly joins Teddy Schleifer for a spirited conversation about Ari Emanuel’s abs and Elon Musk’s litigation endgame.

Netflix’s Animated Double-Down
Netflix’s Animated Double-Down
Out with the Ryan Murphy deals, and in with the modest-sized bets on cheaper, “stickier” animation and anime fare.
JULIA ALEXANDER JULIA ALEXANDER
In the entertainment business, there are generally two types of acquisitions: the mega-deals, like Discovery and WarnerMedia, that bring the market to a halt and invite endless speculation and redefine the landscape, at least momentarily; and then there are the smaller deals that barely register for years until their output can be deemed a success or failure. Within the last week, however, two smaller deals were announced that seem to eminently herald major strategic initiatives for the general streaming economy. Netflix and Nintendo’s recent acquisitions of Animal Logic and Dynamo, respectively, suggest the latest iteration of the entertainment industry’s optimism about the power of animation to drive subscriptions and revenue.

Demand for animated content has grown consistently over the last several years, making up just over 7 percent of the total global demand share for content in 2020, according to research firm Parrot Analytics, where I work as director of strategy. On top of that, demand for adult-oriented animation and adult-oriented anime has consistently grown, with a projected global market share of $43.73 billion by 2028, according to global marketing research firm Brand Essence.

Netflix, of course, has largely been acquisitive-shy in the past, preferring instead to build from within. (The exceptions have generally coalesced around its nascent gaming strategy.) But its purchase of Animal Logic, and the simultaneous restructuring of its animation film executive team, foreshadows an intriguing recommitment to a division that the company once touted as core to its central offering. Nintendo, meanwhile, like so many of its gaming competitors, is exploring new linear pathways to broaden its sizable audience. There’s already a Super Mario movie in the works from Universal’s Illumination Pictures...

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FOUR STORIES WE'RE TALKING ABOUT
The Dead Cat Bounce
The Dead Cat Bounce
Notes on the Elon-Twitter suit and recession anticipation.
WILLIAM D. COHAN
Hollywood's Infamous P.I. Returns
Hollywood's Infamous P.I. Returns
Anthony Pellicano has quietly returned to Hollywood and resumed pitching his services.
ERIQ GARDNER
Elon's Mykonos Hosedown
Elon's Mykonos Hosedown
Jon and Teddy's spirited conversation about Ari Emanuel’s abs and Elon Musk’s endgame.
THEODORE SCHLEIFER
The Washboard Chronicles
The Washboard Chronicles
Notes on the famous yacht-hosing photo, Apple vs. Amazon, and the Chris Licht narrative shift.
DYLAN BYERS
swash divider
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