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Marvel’s Trial By Media

When Victoria Alonso’s employment agreement was last renegotiated, Disney found out she was producing a side project, Argentina, 1985, for Amazon Studios.
When Victoria Alonso’s employment agreement was last renegotiated, Disney found out she was producing a side project, Argentina, 1985, for Amazon Studios. Photo: Stefania D'Alessandro/Getty Images
Matthew Belloni
March 27, 2023

Patty Glaser is one of the town’s best litigators, especially for fired entertainment figures taking on their powerful former employers (see, Conan O’Brien vs. NBC; Dan Aloni vs. CAA). But Patty has some bad facts to overcome for new client Victoria Alonso in her public crusade for a payout from Disney. Because, let’s be clear, that’s what this is. Beyond Glaser dropping a headline-generation bomb on Friday that a gay Latina was “silenced” for speaking out against her company’s handling of Florida’s Don’t Say Gay bill, this is a simple money fight.

Disney could have ended Alonso’s employment as Marvel’s president of physical, post-production, VFX and animation, and simply paid her out, for many reasons—her belittling behavior towards vendors, the relentless self-promotion, or the fact that the visual effects in Marvel productions (her actual job) have been specifically and repeatedly called out as lacking by fans, the media, and actual VFX professionals. (Vulture’s headline: “Honestly, I equate it to human greed.”) But instead, Disney chose to terminate Alonso without pay for what it said, on Friday, is “an indisputable breach of contract.” Basically, an invitation to fight in public. So here we are.