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Welcome back to a Friday morning What I’m Hearing, delayed from last night due to unforeseen
circumstances at my summer hideaway. Heading into the holiday week, I hope you find both a hideaway and some unforeseen circumstances of your own.
🏅🏅 Before we begin… Given the industry challenges I write about, people often ask me for some good news. So… in the spirit of the show that John Krasinski launched during Covid, sold to CBS, then totally abandoned (not enough people talk about that!), and since the Directors Guild ratified its new contract last night, let’s
celebrate how Hollywood managed to get through a full above-the-line labor negotiation season with nary a strike, or even a strike authorization vote.
The still-throbbing hangover from the 2023 walkouts played a big role, of course, and in some ways the less aggressive stances by SAG-AFTRA, the DGA, and especially the WGA signal just how perilous the industry has become for rank-and-file talent. But the guilds got their healthcare plans funded, and Greg Hessinger, the new
AMPTP head, pushed through four-year deals, which some (including me) thought would be a nonstarter. Is Hollywood back?
Today, I’ve got an update on the WarnerMount merger and some of the concessions the Ellisons might be willing to make to get their precious deal done. Sell CNN? Limit layoffs or foreign shoots? Plus, the Mike and Pam midyear report at Warner Bros., and parsing the Academy’s new invites.
Discussed in this
issue: David Ellison, Jason Momoa, Margot Robbie, Rob Bonta, Mike De Luca, Lee Cronin, Jonah Hill, Larry Ellison, Kristen Wiig, Ryan Reynolds, Pam Abdy, Suzy Eddie Izzard, James Gunn, Zohran Mamdani, Bari Weiss, Barbara
Byrne, Monty Sarhan, Elizabeth Warren, Peter Safran, Barry Diller, and… the Friends couch.
Not a Puck member yet? Just click here. Got a news tip or an idea for me? Just reply to this email, text me, or message me on Signal at 310-804-3198.
Let’s begin…
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Thursday Friday Thoughts…
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- Warners’
Mike and Pam reality check: Assuming the poorly received Supergirl underperforms this weekend (see prediction below), the timing isn’t great for James Gunn and Peter Safran, whose post-merger future running DC will likely soon be decided by David Ellison and the Paramount crew. It also highlights vulnerabilities in the overall Warner Bros. slate.
For Mike De Luca and Pam Abdy,
Sinners, Weapons, A Minecraft Movie, and their 2025 hot streak are now old news. And halfway through the year, ’26 has not been nearly as kind to Warners, either commercially or creatively. So far…
- Wuthering Heights: A decent hit, grossing $241 million worldwide after Warners picked up the MRC/Margot Robbie–produced package for a mid-$80 million price tag.
- The Bride!: Total disaster, with a $23 million worldwide
gross on a $90 million budget (and that’s just what Warners copped to).
- They Will Kill You: A New Line horror miss with a $19 million global gross on a $20 million budget.
- Lee Cronin’s The Mummy: A minor New Line horror hit, grossing $90 million worldwide on a mid-$20 million budget.
- Mortal Kombat II: Yikes. A $130 million gross on about an $80 million budget, barely more than the first one made during Covid.
- And now
Supergirl, which is DC but will be fortunate if it opens to a third of the $125 million debut of last summer’s Superman.
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- Strangely,
four years into the job, Mike and Pam don’t have a big tentpole for this summer, relying on B-level DC and lower-stakes horror, both branded (Evil Dead Burn, July 10) and unbranded (The End of Oak Street, August 14). Looking further into the future, there’s nothing with even a best-case hope of more than $300 million or so worldwide until maybe DC’s R-rated Clayface (October 23) or Warner Animation’s The Cat in the Hat (November 6), and certainly Dune:
Part Three in December, but that’s a Legendary Pictures production.
Alas, Warners had scheduled a Jonah Hill–Kristen Wiig comedy, Cut Off, for July 17, but that movie is said to be unreleasable and is now not scheduled. Animal Friends, a Ryan Reynolds–Jason Momoa R-rated animation/live-action hybrid from Legendary, has been delayed a ton and was recently pushed from June to January. That helpfully
shifts those titles beyond the likely closing of the WarnerMount merger, after which Mike and Pam may have new deals… or the movies may be someone else’s problem.
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- And
the Oscar for gender imbalance goes to…: Considering how obsessed the Academy is with its diversity stats, it’s odd that the Oscars group still can’t find enough women to invite. Just 42 percent of the 529 new additions announced Wednesday are female, which means that nearly a decade into its diversity push, the organization still has far more men than women. Whenever I talk to Academy officials about this issue, they usually cite the difficulty of finding qualified women in male-heavy
branches, like visual effects and sound design. That’s fair, but in the actors branch, which clearly has tons of women from which to choose, just 11 of the 29 invitees are women (including Suzy Eddie Izzard, who identifies as genderfluid). That’s 38 percent, or even less than the overall average.
- Box office over/under: Warner Bros. hid Supergirl as long as it could, and now the tracking has weakened to the $48
million–$50 million range. I’ll take the under.
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Now on to the latest in the WarnerMount saga…
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With Paramount’s federally approved acquisition of Warner Bros. entering its endgame, the
Ellisons will still need to placate regulators like California’s Rob Bonta. So what’s on the chopping block?
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Rob Bonta wants Paramount to sell CNN. The California attorney general won’t say that
publicly, and his office stuck to its “remains an active investigation” messaging when I asked him directly. But the widespread belief among people close to Bonta is that a divestiture of the news network would be the best way for Democrats to feel not terrible about the Trump-friendly Paramount’s pending $110 billion deal for Warner Bros. Discovery.
If a court won’t block the entire transaction, CNN is a strong consolation prize, I’m told, as Bonta and
potentially other blue state A.G.s mull a high-profile antitrust lawsuit that he knows he’ll have a tough time winning. Especially at the outset, since California will need to find a judge willing to issue an injunction to stop a merger that has already been greenlit by the federal government—however shadily—and is barreling toward closing this summer. To stop the deal, the court would need to determine that the states are likely to win on the merits—essentially finding that the combination of
two studios and streaming platforms is anticompetitive amid the dominance of media by Big Tech players. Like I said, a long shot.
But Bonta may now feel he’s in a must-act situation. From the beginning, the block-the-merger movement has been much more political than legal. Some of the reasons are standard, especially in an election year: the coming jobs apocalypse—2,500 of them torched in L.A. alone, according to the city, with thousands more elsewhere; further ideological
consolidation of everything from news outlets to big-budget movies; and the forced euthanization of Warner Bros., one of the original Hollywood studios and home of historical California artifacts, like the Friends couch. The recent leftward tilt of big-city Democrats, including this week’s wins in New York by Zohran Mamdani–backed candidates with ties to the Democratic Socialists of America, only add to that pressure on Bonta.
Then there are the decidedly
non-standard elements that have made this WarnerMount situation something your aunt has heard about, including the increasingly foul stench of corruption—sorry, close ties—between the Ellison family and Trump. The Journal revealed Wednesday that
Larry Ellison’s tender embrace of the president in 2024 came with a $45 million check, as well as his suggestion—either explicit or implicit—that CNN will be dealt with at WarnerMount, just like CBS News has shifted rightward under the Ellisons’ handpicked advocacy journalist, Bari Weiss. (Paramount denies Larry or David Ellison promised anything related to CNN.) Meanwhile, Larry is a frequent phone pal of the president, while David was
revealed to have contacted a Paramount board member before he owned the company to stomp his feet for a speedier payoff to settle Trump’s 60 Minutes tantrum. (The board member, Barbara Byrne, told the Journal there “was no intent to transmit information, intervene, or collude in the settlement.”)
Pretty gross details, and good fodder for a Bonta lawsuit designed to play in the court of public opinion—and in the inevitable 30-second spots about
standing up to “Trump Media.” The foreign money in this deal—Saudis, Qataris, Emiratis—is another headshaker for a news network that heavily influences the perception of the Middle East. But this stuff is all less effective as a legal argument, which is why the smart conversation around WarnerMount is shifting to what is almost certainly a more relevant question: What can the states squeeze out of the Ellisons?
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Regulators in Europe and elsewhere are already playing that game. I was gonna report this today, but the
Financial Times and Reuters beat me to it: To grease approval of the deal in Europe, Paramount has agreed to end its joint venture with Comcast’s NBCUniversal to distribute movies overseas. United International Pictures, an entity that streamlines the costs of releasing films globally and has seen various
studios and territories come and go over the years, seems like a small concession. I doubt the Ellisons will lament that divestiture much.
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So far the E.U. isn’t asking Paramount to divest its kids channels or SkyShowtime, the relatively nascent pay
TV service that combines programming from Paramount+ and NBCU’s Peacock. Regardless, multiple sources tell me that Paramount’s retreat from SkyShowtime is already afoot, with a full shift to Paramount+ expected. Monty Sarhan, the C.E.O. of SkyShowtime, will likely exit, and other execs in London are already looking for jobs. Paramount likely won’t announce its demise until the overall WarnerMount deal closes, so ultimately this would be a business decision, not a regulatory
concession, unless the E.U. posture changes. Paramount declined to comment on any of this.
Back home in California, Bonta has so far not made any specific divestment requests to Paramount, per sources familiar. This despite Ellison, his top lawyer Makan Delrahim, and other Paramount executives having held several meetings with the attorney general’s office and exchanged multiple letters. At one Zoom get-together this month with officials from California and other states,
Paramount brought several economists and experts to argue why the WarnerMount deal is “pro-competition” (David’s term, not mine).
At this point, with the closing expected in mid- to late July, Ellison must realize that Bonta will likely file suit, but the Paramount team continues to hope the A.G. will decide against antagonizing a major California company. After all, if Ellison feels he’s being jerked around by his home state, he could easily direct production dollars to New Jersey or
other states—and say so publicly. Not the result Bonta wants when Gavin Newsom and state lawmakers have prioritized “saving” Hollywood with increased incentives to shoot in the state.
So, what is Paramount willing to offer the states? Officially, nothing. But I’m told there is definitely an internal list of potential “remedies,” and they are tied to specific antitrust issues that might be raised, such as the UIP joint venture overseas, not the political concerns
that Bonta and Democrats like Elizabeth Warren are so fixated on. (Warren yesterday went after Ellison again, accusing him of wanting to “inject a tilt into the news.”)
Regardless, both Bonta and the Paramount people might be smart to consider these concerns in crafting a deal. Like headcount thresholds at Paramount and Warner Bros., for instance, or specific commitments to keep the two studios operating separately for a set time period. Ellison has repeatedly said he
wants to release 15 movies per year from each studio, but would he put that in writing for a commitment of five years? Ten years? Pledges to shoot a certain percentage of movies or shows in L.A. might be interesting, as well. Again, these don’t seem like specific legal remedies under antitrust law, but given the vitriol directed toward Paramount, they could go a long way politically, and that matters.
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So what about the big fish: Would Ellison even entertain divesting CNN? Sources at Paramount say no. David is
said to have become much more interested in news lately, even as the CBS News situation has caused so many headaches. And he believes CNN will give WarnerMount a competitive advantage over Netflix and Amazon as news audiences transition to streaming. It also still throws off hundreds of millions of dollars in profit per year.
But if the choice is selling CNN or enduring a protracted legal battle and months of delays in closing WarnerMount, potentially driving up the cost of the deal due
to ticking fees that begin in October, suddenly that divestiture might seem more palatable. Plus, the economics of WarnerMount suggest CNN is expendable.
First, there would be motivated buyers for that asset, unlike most of the other garbage cable networks Paramount is taking on. Barry Diller recently said he’d buy it “tonight and tomorrow night.” Others would certainly bid. Most analysts believe WarnerMount will need to sell some non-core assets to bring down debt. And
while CNN currently serves as a crucial must-carry network in the Warner Discovery bundle, Paramount already has CBS. It’s technically a broadcaster, but because of retrans fees, the combined WarnerMount will be able to use CBS as its own anchor for leverage with distributors, making CNN less important to the overall business.
Except, of course, when it comes to influence, and both Larry and David very much care about the coverage of Israel, among other causes. The question is: Would
Ellison put CNN on the table to get this deal done? He’s already begun meetings to integrate the network with CBS News, which will achieve some of his precious synergies. If not CNN, what is he willing to concede, and what, short of a loud yet potentially costly and losing lawsuit, would satisfy California’s top lawyer and all those loud voices on the left?
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See you Monday, Matt
Got a question, comment, complaint, or a
U.T.I. at UTA Beach? Email me at Matt@puck.news or call/text me at 310-804-3198.
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Puck founding partner Matt Belloni takes you inside the business of Hollywood, using exclusive reporting and insight to explain
the backstories on everything from Marvel movies to the streaming wars.
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Ace media reporter Dylan Byers brings readers into the C-suite as he chronicles the biggest stories in the industry: the future
of cable news in the streaming era, the transformation of legacy publishers, the tech giants remaking the market, and all the egos involved. Also featuring a weekly dispatch from Puck’s crack streaming/media analyst, Julia Alexander.
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