The Record Industry’s Full-Blown A.I. War

taylor swift
If copyright laws accommodate Taylor Swift’s re-creation and release of songs that are nearly identical to the originals, how can a record label protest A.I. software that churns out pop star-esque tunes? Photo: Buda Mendes/TAS23/Getty Images for TAS Rights Management
Eriq Gardner
August 6, 2024

Just a few days ago, amid a barrage of lawsuits sweeping through the generative A.I. sector, a pair of music A.I. startups, Suno and Udio, found themselves facing massive copyright infringement claims from heavyweight record labels, including Universal, Sony, and Warner. The plaintiffs’ claims are somewhat straightforward: They argue that “synthetic musical outputs could saturate the market” and “directly compete with, cheapen, and ultimately drown out the genuine sound recordings.” 

Instead of opting for a dismissal motion, however, both startups accepted the claims as laid out. It was a bold maneuver while defending against a lawsuit that could incur hundreds of millions, and perhaps even billions of dollars in damages, propelling these cases straight into the discovery phase and potentially triggering high-stakes trials in the near future.