Hi, and welcome back to Line Sheet. Could we maybe name the new Alaïa designer soon?
In
today’s issue, Rachel Strugatz tells you everything you need to know about Estée Lauder Companies C.E.O. Stéphane de La Faverie’s divestiture attempts and how his turnaround is shaping up in the wake of the bungled Puig deal. Elsewhere, Malique Morris is back with a report from Prada Mode—and a look at the group’s savvy approach to programming—as well as a scoop on layoffs at Mr Porter. Plus, an incremental update from me on the
Celine calico-print weekend bags that are making everyone nutty.
Also mentioned in this issue: Charlotte Tilbury, Miuccia Prada, Raf Simons, the Hotel Chelsea, Toby Bateman, Michael Kliger, Ametora, Mona Fastvold, Ava DuVernay, Nicolas Winding Refn, Ben Palmer, Sabela Ojea, Hideo
Kojima, Mikael Bertelsen, Maya Hawke, Kelly Kovack, Jeremy Langmead, Dr. Jart, Bryanboy, Sophie Thatcher, and more.
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Three Things You Should
Know…
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| Malique Morris
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- Why Prada’s live
events strategy works so damn well: You can always count on Miuccia Prada and Raf Simons’s runway shows to get cerebral, providing commentary on labor exploitation or ephemerality that gives all those chunky-soled loafers and nylon bags a little more substance in the eyes of its customers. Throughout the year, the brand carries the vibe over to heady events like its Prada Frames “symposium” during Salone del Mobile in Milan, a book club for Miu Miu,
and a short-film series called Miu Miu Tales that platforms woman-identified filmmakers including Mona Fastvold and Ava DuVernay. It’s the kind of brand building that makes Prada the perennial cool-girl go-to.
Take Prada Mode, the brand’s intergalactic-themed five-day conference at New York’s Hotel Chelsea that began on Wednesday, loosely themed around the search for inspiration in an increasingly artificial world. The brand filmed a series of
conversations with Drive director Nicolas Winding Refn and Japanese video game designer Hideo Kojima and streamed them on silver, Jetsons-style TVs located on the hotel’s main floor and at Prada’s SoHo store, along with talk show segments featuring Danish radio personality Mikael Bertelsen, a story time with Maya Hawke, and live performances from indie musicians. It feels as though only Prada can pull this kind
of thing off—immersive without feeling suffocating; serious-minded but still kind of fun. (Yes, I know the brand was lambasted online for employing A.I. for a series of ads in March.) A live discussion this morning at the hotel between Kojima, Refn, and actress Sophie Thatcher also felt like performance art. Thatcher carefully emphasized her platitudes about social media ruining our sense of self with her slightly robotic gestures. I didn’t roll my eyes once. That’s the power of
Prada. - Mr Porter cuts: Last month, Mr Porter laid off several members of its editorial team, I’m told, including its head of content. These cuts were apparently separate from the 700-person round of layoffs that its new parent company, LuxExperience, announced last September, which were implemented through March and mostly impacted operational roles. (A rep for Mr Porter declined to comment.)
It’s unclear how many people
were let go in the latest round, but the culling comes as Net-a-Porter and Mr Porter continue to shrink: Sales at both companies dropped 12 percent in their fiscal third quarter ending in March. But Mr Porter also has a history of overhauling its creative teams: In 2024, when it was still owned by Richemont, the e-tailer slashed much of its creative arm, fired brand director Ben Palmer, and outsourced editorial duties to Net-a-Porter around the time a deal for Farfetch to
acquire a near-majority stake in the company fell through.
The recent layoffs are likely cost-cutting orders from Michael Kliger, LuxExperience’s C.E.O., as he pushes YNAP to profitability. But Kliger has also cited content as an integral part of both companies’ turnaround strategies. Is it possible that Mr Porter’s C.E.O., Toby Bateman, and brand director, Jeremy Langmead—both of whom helped launch the site back in 2010, and
returned to the company in April—have lost faith in the value of the editorial strategy that they created? I’ve heard that articles and videos aren’t as effective sales drivers for Mr Porter as they are for Net-a-Porter. I’ll let you know what I find out.
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A MESSAGE FROM OUR SPONSOR
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guided, conversational experiences that don’t just surface products. They drive decisions and conversion in real time. Swap’s Agentic Commerce 101 breaks down what’s real and what it means for brands right now. Inside:
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• What agentic commerce is and why most AI tools don’t qualify • Why AI discovery platforms aren’t built to convert for your brand • Why owning your AI experience and your data is becoming non-negotiable
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The French origin of Celine’s Cabas Frame “East West” bag: I will stop talking about this bag, I promise, but one more note before I do. When I first wrote about the launch of Celine’s mixed print cotton weekender tote, I acknowledged that there was probably a French reference, but the bag mostly reminded us vulgar Americans of Vera Bradley’s floral and
paisley quilted visions. Of course, it goes deeper than that: Several readers have noted that the bag is clearly a take on Pierre Deux bags, which were around before Vera Bradley.
Anyway, fine, I like the Ametora-style flow of this creation. If you want to preorder one, I suggest you do it fast, because they were made in fairly limited runs,
I hear, and there may not be any left once they actually land in stores.
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And now, here’s Rachel on more of the Estée–Puig fallout…
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Now that ELC’s spring flirtation with Puig is over, investors would very much like it to get
back to the long-promised turnaround. But finding buyers for its struggling brands is easier said than done. Plus, why the real narrative on the merger talks just won’t go away.
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Now that The Estée Lauder Companies’
merger-that-wasn’t with Puig is in the rearview, America’s largest family-controlled beauty company can focus on completing C.E.O. Stéphane de La Faverie’s long-gestating corporate turnaround. Beyond an additional 3,000 or so layoffs that have to be approved by the end of Lauder’s fiscal year (bringing total reductions to 10,000), some major changes to
distribution, and wins in select categories (namely fragrance), the market is eagerly waiting for the business to start offloading a handful of underachieving brands so it can once again meaningfully participate in M&A.
Indeed, any movement on that front has been top of mind for investors and analysts—some of whom have directly communicated their thoughts to de La Faverie. “What they want, and what they’ve been telling Stéphane, is, ‘Quit messing around, execute your turnaround
plan. You were doing really well, we were encouraged with the process. Get the divestitures done,’” said a person with knowledge of Lauder’s business. “The bottom line is ELC is moving forward,” said someone involved with the company. “No one is sitting around thinking why this deal didn’t work out.” (ELC declined to comment for this story.)
It’s not as if de La Faverie needs to be reminded. Back in January, BoF
reported that Lauder was trying to divest several of its more sluggish properties in a package deal that could be valued “in the low nine figures.” None of the brands has been sold yet, but the labels on the block are Too Faced, Smashbox, and Dr. Jart—all of which are in varying states of disarray, although some worse than others. Smashbox
is probably too far gone to appeal to anyone, and the jury is still out on Dr. Jart. But Too Faced—which is profitable, and does several hundred million in revenue a year––is a potentially exciting M&A target.
That seems to have been the industry consensus, too. “No one bid on the package deal,” said a person close to the process, adding that the offering has since evolved into a veritable two-for-one, with Too Faced as the real prize and Smashbox as an add-on. (For what it’s worth,
Smashbox wouldn’t be entirely dead weight; whoever buys these businesses could integrate some of Smashbox’s existing formulas into Too Faced.) Several companies that specialize in distressed assets were also eyeing the Too Faced/Smashbox combo, while some smaller private equity funds have looked at Dr. Jart, according to the person close to the process. These days, the latter is estimated to be a $130 million–$140 million business, a fraction of the
$500 million-plus in net sales Dr. Jart was expected to reach in 2019.
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A MESSAGE FROM OUR SPONSOR
|
Agentic commerce isn’t a future concept. It’s already reshaping how people shop. Static storefronts are giving way to
guided, conversational experiences that don’t just surface products. They drive decisions and conversion in real time. Swap’s Agentic Commerce 101 breaks down what’s real and what it means for brands right now. Inside:
|
• What agentic commerce is and why most AI tools don’t qualify • Why AI discovery platforms aren’t built to convert for your brand • Why owning your AI experience and your data is becoming non-negotiable
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|
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According to WWD, the
final bids for Too Faced (and Smashbox) were due in mid-May, but nothing has materialized yet. I chatted with several people close to the process, including someone familiar with the deck, who said that nearly all the firms that looked at Too Faced have dropped out of the running. Another person familiar with the
process said “there has been interest, but nothing formal has been signed yet.” Last year, I’m told, gross revenue dropped to $360 million, from $400 million in 2024. Of course, that’s still a huge business, but it’s hard to convince any savvy investor to catch a falling knife in an increasingly crowded space.
This person added that Too Faced “has been in long-term decline,” and posited that it could only be “reinvigorated” by a private equity company, not a strategic—an almost
certainly true and acute observation. A P.E. firm, after all, would view the declining revenue as an opportunity to rightsize the business with brute Excel force. “The typical firms that look at distressed assets were going to offer the bare minimum for Too Faced. They were looking at it for 1x revenue, but felt Lauder wouldn’t take it, given that it’s profitable and big,” they said, estimating that, all in, a sale could perhaps fetch $500 million.
Obviously, this would represent
a major loss on the original investment. Lauder paid $1.45 billion for the brand—its largest acquisition to date at the time—back in 2016, when it was projected to surpass $270 million in net sales. Still, ELC would likely jump on the right offer, given the enormous financial strain the company has endured over the past few years. Meanwhile,
even if a buyer were to offer that 1x revenue multiple for Too Faced, Lauder would still have sufficient capital to acquire an attractive, fast-growing asset to satiate investors and the market—perhaps in the prestige fragrance category, as de La Faverie intimated at the Deutsche Bank consumer conference in Paris on Tuesday.
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Meanwhile, Lauder’s overlords in the GM Building have been dealing with a simultaneous challenge: conflicting
messaging regarding the collapse of the Puig deal. As you know, the initial reports in late May cited the change-in-control clause in Puig’s contract with Charlotte Tilbury as the reason the potential merger fell apart—a $1 billion excuse just plausible enough to make it seem that ELC walked away from Puig. But as I noted in my
dispatch last Wednesday, she certainly was not the only reason: Acquisition costs, the leadership structure, and complicated family dynamics all contributed to the failed process.
As the Lauder-friendly narrative about Tilbury publicly started to unravel, industry trade Beauty Matter published a bombshell report by former Wall Street Journal writer Sabela Ojea late Thursday that basically reflected Puig’s version of events and
included a host of juicy new details. (Ojea co-wrote the original Lauder succession story that started it all. It’s a must-read.)
Unfortunately, you can no longer read the piece. Beauty Matter had taken it down by Friday afternoon, and replaced it on Sunday with an updated, pro-Lauder version purporting to
offer the “true” reason the deal fell apart—new byline and all. “As you know, this is a fast-moving and developing story,” Kelly Kovack, the editor-in-chief of Beauty Matter, told me. “After the Puig shareholder call, we realized additional research was required and spoke with more sources. In the
end, we decided to replace the story to ensure the accuracy of the information being reported.”
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Originally, Ojea reported that at Puig’s annual meeting, the company provided more insight into what went
wrong—basically, the themes I mentioned, plus a few other tensions, which ultimately led both parties to walk away. The piece also noted the astronomical fees that ELC spent on diligence, how certain top Lauder executives were not involved in deal talks, and that the process had devolved into a power struggle that was “no longer a merger of equals.”
The replacement story included none of those details. In addition to blaming Puig for media leaks, it
reiterated the Tilbury narrative, quoting a person who was “closely involved in the negotiations” saying that the makeup founder was “100% ... a deciding factor in why this deal fell apart. I think there’s a narrative that Charlotte Tilbury was a convenient excuse for Estée Lauder to walk away; that is inaccurate.”
Multiple sources with knowledge of Lauder’s business told me that ELC was incensed that Ojea’s piece included details about who was, and who was not, privy to negotiation
details while naming certain executives. I also heard there was a discrepancy in how much ELC spent on diligence and the dollar amount reported by Ojea, although issuing a correction or comment from Lauder probably would have sufficed.
The irony of all this expended effort is that, in the end, de La Faverie wound up confirming that the deal collapsed because of price at the Deutsche Bank conference. “If we cannot reach the growth and the profitability at the right price point,
then that is not an option,” de La Faverie said. “And this is why, obviously, this deal didn’t go through, because it was not at the right price.” Well, there you have it!
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Chanel will repeat its heralded Cruise show in Sydney on November 5. Bryanboy will
undoubtedly fly across the world to be there. [Inbox]
Zara owner Inditex’s sales are up, and profits and margins are widening. [WWD]
The ANDAM finalists have been announced and include Marie Adam-Leenaerdt and Zomer. [Style Not Com]
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Until tomorrow, Lauren
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