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Hi, and welcome back to Line Sheet. Praise be, Saks Global has successfully emerged from Chapter 11 bankruptcy protection. More soon.
Today, though, Malique
“Malique@puck.news” Morris is here with a look at the biggest retail news of the week: Reformation’s I.P.O. filing, and what it says about the state of going public. Up top, Malique has a scoop on a potential exit for Fabletics, the Kate Hudson–linked activewear label that once had ambitions for a $5 billion I.P.O. (Looking back, the thought makes one laugh out
loud.)
Meanwhile, Rachel Strugatz has news of the pending sale of a beauty brand backed by Line Sheet superstar Ben Bennett. Malique also weighs in on the high-street return of skinny jeans off the back of Sunday’s Prada show. We all know there are many men who never stopped wearing them and I just have to say: Guys, this does not give you permission to keep wearing the old ones. They still do not look good. And finally, some choice reader
feedback.
I had to duck out of Paris, but I will be back on Monday with a proper report from the men’s shows. It was quite the week, but maybe not because of the clothes.
Also mentioned in this issue: Jens Grede, Alicia Sontag, Saltair, Joe Kudla, Levi’s, Yael Aflalo, Iskra Lawrence, L’Oréal, Alexandre Mattiussi, Rhode, Jenn Hyman, Michael
Preysman, Adam Goldenberg, Savage x Fenty, Hailey Bieber, and more.
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Three Things You Should Know…
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| Malique Morris
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- Fabletics is looking for a
buyer: Back in 2021, the Kate Hudson–fronted athleisure company Fabletics reportedly tapped banks for a $5 billion I.P.O. That never happened, and public markets turned cold on consumer brands in the subsequent years. Now I’m told that Fabletics’ parent company, TechStyle, which also has a joint venture with Savage x Fenty, is looking to sell the brand. Investment bank Centerview Partners is advising on the sale, according to a person familiar with the matter. (A
rep for Fabletics didn’t respond to multiple requests for comment. Centerview Partners declined to comment).
The sale comes after co-founder and C.E.O. Adam Goldenberg said at a conference in January that Fabletics grew 15 percent in 2025, surpassing $1 billion in annual sales. It also arrives at a favorable moment for activewear companies, many of which have taken advantage of consumers’ waning interest in Lululemon. But the sale process—and ultimately how much TechStyle
can fetch—may be complicated by Fabletics’ subscription model, which has drawn industry scrutiny over payment terms disclosures. Stay tuned for much more on this in the coming weeks. - The skinny on the (actual) return of skinny jeans: Prada’s Spring/Summer 2027 menswear show riled up fashion followers this week for various reasons, but one of them was the narrowness of the silhouette. The return of skinny jeans, for guys especially, has been
brewing for several seasons after years of oversize domination. Yes, it feels weird because the bad, dated version of skinny jeans is still so prevalent in society, but it was also inevitable that designers would revisit them. After all, Gen Z is still working through its obsession with the aughts, and GLP-1s are just short of being an over-the-counter drug at this point. Dior, Lemaire, and Auralee all sent out a few slender options recently, even if bulbous pants still dominate.
Anyway,
the numbers are starting to point to a high-street renaissance, too. According to Lyst, demand for men’s skinny jeans and pants rose 25 percent month over month on the platform in June. This year, the assortment of skinny jeans for men and women listed on the platform rose 5 percent. It’s worth noting who’s leading the charge: Per Lyst, it’s been Levi’s, Diesel, and Dsquared2. Levi’s carries every possible silhouette imaginable, Dsquared2 isn’t fashion snob–approved, and Diesel does whatever it
wants.
As we know, skinny jeans never really went away for many normies. It’ll be interesting to see how the adoption curve plays out across the industry, especially in menswear, where most coveted brands have all but gutted their skinny offerings.
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| Rachel Strugatz
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- The mysterious Mr. Bennett
strikes again: I’m hearing that Ben Bennett, who has quietly become one of the beauty industry’s most successful serial entrepreneurs, is preparing for his next exit. Multiple sources tell me that initial bids are due soon for Saltair, the affordable bodycare brand that Bennett launched with model Iskra Lawrence, with a deal
expected to close by early fall. (Bennett declined to comment.)
Bennett grew the line via his beauty incubator, The Center, which is funded almost entirely by Alicia “Goldfinger” Sontag of Prelude Growth Partners. The incubator
has already produced two notable exits: Naturium sold to E.l.f. Beauty for $355 million in 2023, while Phlur went to TSG Consumer Partners for roughly $400 million in 2025. Alongside Saltair, The Center’s current portfolio also includes Cyklar and Prequel. (By the way, if you happen to run into the famously private Bennett, note that he much prefers the term “accelerator” for The Center.)
Saltair’s $14 body washes are sold at Ulta Beauty and Target, with the big-box retailer now
accounting for the majority of the business. (On a recent Target visit, I found most of Saltair’s body washes sold out.) Just four years after launching, the brand is close to hitting $150 million in annual sales while generating an EBITDA margin of around 30 percent—not bad for a business operating at a mass-market price point. “He doesn’t overspend building brands,” one person familiar with Bennett’s businesses told me, adding that Saltair, like Phlur, will most likely end up with a private
equity buyer.
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And now for the week that was in fashion…
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With news that Reformation is seeking to go public, we revisit its fellow 2010s darlings to
check in on the state of the fashion startup–industrial complex.
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Everyone in Paris is sweating, literally and physically, over the men’s shows. (Look out for
Lauren’s coverage on Monday.) But here in the States, the big news came from Reformation, which disclosed that it has filed for an I.P.O.—the first notable fashion startup in a while to go public. Naturally, the filing got me thinking about the state of the fashion startup–industrial complex.
Five years ago, fashion startups enjoyed an I.P.O. gold rush: Poshmark, Allbirds, Warby Parker, On Running, Rent the Runway, and ThredUp all went public in 2021, often for all the
wrong reasons: The members of their cap table were antsy, they couldn’t raise any more capital privately, etcetera. Poshmark returned to private ownership in 2023 after Korean tech giant Naver acquired it following a dip in profits; Farfetch delisted that same year before Coupang rescued it from the brink of bankruptcy. And this year, Allbirds
baffled just about everybody when it announced it would pivot to A.I. infrastructure while selling its assets
to licensing firm American Exchange for $39 million.
Many of the remaining public companies now trade well below the $1 billion valuations they commanded at offering. Rent the Runway, whose co-founder Jenn Hyman left last month, has a market cap of just $109 million. Stitch Fix sits at $575 million, while ThredUp is worth around $875 million. Warby Parker and On Running are outliers that have largely preserved billion-dollar valuations.
Over the intervening years,
unsurprisingly, I.P.O.s have fallen out of favor as investors have largely lost interest in fashion. Reformation’s I.P.O prospect contrasts sharply with Everlane’s sale to Shein at a $100 million valuation. Both brands broke out as sustainable fashion upstarts in the 2010s; both ultimately landed in private equity hands (Reformation with Permira and Everlane with L Catterton); and
both founders, Yael Aflalo and Michael Preysman, were forced to step back during pandemic-era reckonings.
But under C.E.O. Hali Borenstein, who
replaced Aflalo in 2020 in a planned succession that was sped up after some H.R. issues, Reformation has managed to do something that is nearly impossible in apparel: Keep growing without losing integrity with customers. The price-value equation has always made Reformation work. Last year, Reformation’s revenue grew 16 percent to $507 million—80 percent of which came from full-price DTC sales—while generating $13 million in net profit.
To be fair, many of Reformation’s predecessors were
money-losing operations that never should have gone public. But, Borenstein’s decision aside, their chill has haunted the market, and partly explains why Vuori founder Joe Kudla appears content to wait. The apparel company raised $825 million from General Atlantic and Stripes in 2024, and reportedly generates around $1 billion in profitable annual sales by courting the nerdy hot tech bro. According to Consumer Edge’s analysis of credit and debit card data, Vuori’s U.S. sales
increased 19 percent during the first quarter of 2026. (Vuori declined to comment on its financials.) Given its financial profile and cap table, an I.P.O. would seem the obvious next step. I’m sure Kudla and his board will be watching the Reformation float with bated breath…
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The
Brick-and-Mortar Path
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For now, Vuori is focused on expansion, with
plans to double its store count over the next few years, including in China and Korea. Increasingly, majority direct-to-consumer businesses are outperforming wholesale models, even if they require more capital and time to grow. As I
wrote earlier this week, retail expansions have become fashion startups’ preferred drug of choice, with the large upfront costs considered as a worthwhile trade-off for the higher customer acquisition and stronger retention.
Strategic store expansions, particularly in Asia, help explain why Alexandre Mattiussi’s
super-Frenchie brand Ami, which Lauren reported this week is “entertaining an exit,” has remained so strong. Its clothes are good, if a bit logo-heavy, and reasonably priced for contemporary luxury. The brand has built 109 shiny stores in markets including Paris, New York, L.A., Shanghai, Beijing, Seoul, and Tokyo.
But back to Vuori for a beat: I reported this week
that Skims’ senior vice president of planning, Susan Stroub, left this month to join Kudla’s team. Her exit was followed by Paula Galperin, the co-general manager of NikeSkims, who announced this week that she’s leaving the intimates company for the top job at another startup. The executive turnover comes a year after Skims C.E.O. Jens Grede told employees that an I.P.O. was no longer an immediate priority.
I’ll have more on the goings-on
at Skims next week, but I’ll say this for now: The late-stage startup phase is complex. It’s one thing to go from $0 to $1 million and then even $1 million to $100 million. But operationalizing a company toward billions in revenue while demonstrating the rate of growth required by bank analysts is a whole other enchilada. After so many fashion companies of the previous generation lurched toward the public markets, the Gredes and their investors are right to be deliberate—they need to create the
sort of momentum that Wall Street, which isn’t seduced by fashion or brand appeal, truly appreciates.
Consider Ssense, which filed for Canada’s equivalent of bankruptcy last year, despite doing more than $1 billion in sales a year earlier. As I’ve reported, the e-tailer is in the middle of restructuring after C.E.O. Rami Atallah and his brothers bought back the company in February. This week, the business
announced that a small number of creative-team employees would be replaced by… A.I. (A Ssense spokesperson told me, “Ssense is evolving our studio operating model to increase agility, accelerate content production, and further strengthen the product storytelling that defines the brand. … As part of this transition, a number of studio roles are
impacted.”) Not surprisingly, I’m told that there’s growing anxiety inside the company as everyone wonders whether their jobs can also be replicated. (Back in April, I reported that Ssense’s go-forward strategy, anchored by increased brand development and a new U.S. distribution centre, also included investments in A.I.) In the past month, the company
gave a small cost-of-living raise after a yearlong salary freeze, and has downsized its Montreal headquarters.
It’s probably never been more arduous, and precarious, to scale, and maintain, a brand. That won’t change anytime soon. Reformation’s
public-market debut will certainly yield clues on how the next era of fashion startups might be honing their ambitions. We’ll all be watching when the opening bell rings.
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On the big Skims departures: “They indicate a reality check on the business’s fundamentals. I’ve
been so fascinated by the Victoria’s Secret reversal of fortunes since our Gen Alpha daughter started hounding us for VS Pink a couple of years ago, driven by brand awareness generated from Roblox and YouTube streamers. She’d never heard of Skims.” —A comms exec
On Charlotte Collet’s Louis Vuitton and Auralee doubleheader: “Charlotte is the ultimate stylist for right now. She makes it all feel like real clothes. In a time when fashion is lame and
needs to come back to earth.” —A stylist and editor
On the latest Prada collection’s commercial prospects: “On the day of the resee, it was hard to look at the clothes because there were so many clients eager to put their orders in. Including women. Also, it doesn’t matter if this is commercial or not. They have so many in-between collections that they’re sending into the shops.” —A stylist
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Until next week, Lauren
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Puck fashion correspondent Lauren Sherman and a rotating cast of industry insiders take you deep behind the scenes of this
multitrillion-dollar biz, from creative director switcheroos to M&A drama, D.T.C. downfalls, and magazine mishaps. Fashion People is an extension of Line Sheet, Lauren’s private email for Puck, where she tracks what’s happening beyond the press releases in fashion, beauty, and media. New episodes publish every Tuesday and Friday.
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An essential, insider-friendly Hollywood tip sheet from Matthew Belloni, who spent 14 years in the trenches at The
Hollywood Reporter and five before that practicing entertainment law. What I’m Hearing also features veteran Hollywood journalist Kim Masters, as well as a special companion email from Eriq Gardner, focused on entertainment law, and weekly box office analysis from Scott Mendelson.
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