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For the past week, I’ve been tucked into a sparsely attended federal courtroom watching the criminal trial of Carl Rinsch—the writer-director accused of extracting a small fortune from Netflix. Rinsch, of course, was famously hired to make a big-budget sci-fi series about A.I. clones, called White Horse. Instead, he wasted millions on a Ferrari, four Rolls-Royces, really nice bedding, Dogecoin, and various other purchases that seemingly had nothing to do with the show’s production costs.