THE LATEST ARTICLES
NEWSLETTERS
Hayna Hutchins vigil
Matthew Belloni October 31, 2021
The indie film industry is notorious inside Hollywood for penny-pinching financiers, lax on-set managers, cheap hires and poor on-sent conditions.
Kevin Hart
Matthew Belloni October 31, 2021
Kevin Mayer and Tom Staggs’ Blackstone Group-backed company is one of the suitors as Kevin Hart jumps on the private equity party bus.
People using Oculus VR
Matthew Belloni October 29, 2021
A conversation with Matthew Ball about how Hollywood botched the rise of the internet, digital gaming, online distribution—and how Disney could turn Robert Downey Jr. into a metaverse billionaire.
Bill Kramer and Dawn Hudson
Matthew Belloni October 25, 2021
Saving the Oscars must be the focus of the new C.E.O.—and with Hudson’s 2020 compensation reaching $950,000, the Academy should be able to convince a strong candidate to take the job. Who?


Dave Chappelle
Matthew Belloni October 25, 2021
It’s an open secret in Hollywood that many feel the movement toward greater accountability and inclusion sometimes goes too far—and are terrified of getting called out, themselves. Now Netflix has become an unwitting signpost in the culture wars, and some believe it may signal a turning point.
The Last Duel
Matthew Belloni October 22, 2021
Most Wall Street analysts believe that theater revenue in 2022 will drop below pre-pandemic levels, with trickle-down impacts across the entire movie industry.
Barbra Streisand
Matthew Belloni October 18, 2021
A minor donor drama at the new, Renzo Piano-designed Academy Museum in Los Angeles gets the perfect Hollywood ending.
Maverick Carter
Matthew Belloni October 18, 2021
At a time when legacy media companies are trying desperately to appeal to younger, more diverse audiences, SpringHill has a clear—and startlingly ambitious—vision.


Reed Hastings
Matthew Belloni October 18, 2021
From the beginning, Reed Hastings has operated Netflix like his employees are part of a small family in a quiet Silicon Valley utopia. But with the Chappelle flap, it doesn’t appear that comms strategy is tenable any longer.
Dave Chappelle and Ted Sarandos
Matthew Belloni October 15, 2021
Netflix’s economic rationale for defending Chappelle’s transphobic routine has deepened an internal crisis that is not going away. When I texted Hollywood executives and comms pros this week about how the streamer is managing the controversy, a consensus emerged: Good policy, horrible P.R.
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