THE LATEST ARTICLES
NEWSLETTERS
Jane Campion
HOLLYWOOD March 20, 2022
Puck’s first annual, totally subjective and partially grievance-based salute to the oddities and embarrassments of Hollywood’s interminable Oscar season.
Reed Hastings
HOLLYWOOD March 17, 2022
Media companies were betting on the ability to invest big, grow fast, and join Netflix in the redefined TV hierarchy. Now, increasingly, they seem to be asking: What if everything Netflix thought it knew turns out to be a lie?
Bob Chapek
HOLLYWOOD March 13, 2022
Disney’s new C.E.O. badly miscalculated in his attempt to pivot the company from left to center, compounding one of Disney’s worst internal crises in years. Will the public relations train wreck derail Chapek, too?
David Fenkel and Daniel Katz
HOLLYWOOD March 10, 2022
Inside Hollywood, A24 has always punched above its weight for an indie studio. Now the arty New York media brand is trading on its hipster ethos for $225 million in private equity cash—and, in this overheated market, why not?


Reed Hastings and Ted Sarandos
HOLLYWOOD March 6, 2022
Reed Hastings and Ted Sarandos’ deal with a Russian media partner with ties to Vladimir Putin was already deeply controversial inside Netflix, even before Putin invaded Ukraine.
Shari Redstone and Bob Bakish
HOLLYWOOD March 6, 2022
The inside conversation at the nexus of Hollywood and Wall Street.
The Batman premiere
HOLLYWOOD March 3, 2022
If theaters are going to survive post-Covid, they very badly need to evolve the model. Does “ape”-obsessed AMC C.E.O. Adam Aron have a solution, or just another schlocky ploy?
Larry David
HOLLYWOOD March 1, 2022
As if a plot point from Curb, the HBO star determined that a two-part film about his life, set to debut today, wasn’t up to snuff yet.


Timothy Hutton
HOLLYWOOD February 27, 2022
Timothy Hutton was accused, investigated, cleared (sort of), but still lost a lucrative job. Now Hutton is suing his former employer, setting up a legal battle with no easy answers.
Beauty and the Beast
HOLLYWOOD February 24, 2022
The costly implosion of the Disney+ ‘Beauty and the Beast’ prequel reveals the pressure on legacy studios to bring massive I.P.-driven shows to streaming. So why hasn’t Disney's branded TV division had more breakout hits?
1 25 26 27 28 29 38