THE LATEST ARTICLES
NEWSLETTERS
zaslav
Matthew Belloni August 8, 2022
The rolling reductions will begin with smaller groups between Monday and Labor Day, followed by a ramp-up in bloodletting in September and October.
Matthew Belloni August 5, 2022
David Zaslav’s controversial and cold-hearted decision to kill off the movie for a tax credit isn’t simply the fault of the filmmakers or Jason Kilar or the herky jerky voyage of Warner Bros. It’s on Hollywood, as a whole, for worrying about being left behind by Netflix.
stallone
Matthew Belloni August 1, 2022
The 76-year old star is fighting his producers and MGM for a financial stake in his signature property, but it’s not just a play for more money.
Reed Hastings
Matthew Belloni July 22, 2022
Reed Hastings still wants investors to think of the streaming pioneer as separate from “legacy” media, but with its muted subscriber projections and an advertising pivot, it’s now a mature, slow-growth company.


Desus and Mero
Matthew Belloni July 22, 2022
Here’s what really ended the Showtime comedy duo’s successful partnership.
Casey Bloys
Matthew Belloni July 18, 2022
Sure, Zaslav and Gunnar have been fleecing WBD looking for redundancies, but re-signing Casey Bloys was a goal of the new C.E.O.’s first 100 days.
Matthew Belloni July 15, 2022
A candid conversation with Matthew Ball, the technologist, futurist, and author of the forthcoming book, The Metaverse: And How It Will Revolutionize Everything.
Bob and Harvey Weinstein
Matthew Belloni July 11, 2022
In advance of his new book, Ken Auletta discusses Weinstein’s origins and depravity, whether he got a fair trial, who enabled what behavior, and how the convicted mogul/rapist changed Hollywood forever.


Matthew Belloni July 8, 2022
As CAA says goodbye to ICM agents in the wake of its $750 million acquisition, the situation has devolved to the point where several of the ousted ICM people have hired a top litigator.
Sarandos and Hastings
Matthew Belloni July 5, 2022
In this special July 4th Edition, I attempt to answer some of Hollywood’s burning questions, like… What’s the future of cable? Why is Netflix moving so fast on ads? What’s the endgame for agents? And how much will Tom Cruise make on Top Gun: Maverick?
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